Hi dere. I'm an awkward turtle who likes cats, Aion, and sparkly gay things.
the fastest word i can type is motherlode
almost 70,000 people get this joke like is a fandom thing or can you all must type motherlode really fast what is going on
NO ONE SAY ANYTHING
i dont get it
I have never laughed so hard at a cat video in my life
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!
I WANT IT
That’s it. Everyone is crazy.
This is batshit awesome
You mean catshit awesome
New GF Aion trailer
this is awesome I love it!
This one time I painted a living room with a girl.
This was a handful of years back. It was about eight months before the huge, flame-out of a breakup. That day, though? That day we painted the living room? It was pretty uneventful. We painted my parents living room for $50 between us and a pizza. That was it. I think we watched Anchorman or something after that.
But it still holds as on of the most indelible memories I have. Don’t get me wrong, I’m not still in love, it happened, it was good, it ended, and we’ve both moved on. But I’ll never forget that day. Because it’s never, in the long run, about the grand gestures. You can fly across the world and show up on her doorstep with a rose in your teeth and a ring in a little velvet box but I can guarantee you that - more often than not - she’s going to remember the time you built the birdhouse in the back yard, or what have you, a whole lot more.
Life wasn’t meant to be taken in large movements. The next day will inevitably arrive, you’ll sleep, and the moment will have passed. But when you have a hundred thousand small moments, you can step back and appreciate the picture a lot more than metaphorically blowing your load on some grand moment that, in all honesty, look, you’re not Bruce Fucking Springsteen, you’re not going to be able to blow everyone’s mind every single night. You’re not Romeo and/or Juliet. There’s no reason to drink the poison together in some flame-out gesture. So that leaves us with the small stuff. It’s all about the detail.
That’s what love is. Attention to detail.
And the moment will end. And then things will get boring. And it might get a little quiet. And it might all end horribly. And you might hate eachother at the end. And you might walk away from eachother one day and never speak again. But that’s just how it goes.
But she’ll remember the time you held the door open for her on your first date.
She’ll remember the time you laughed at her impression of the landlady.
She’ll remember the time you stayed up all night that first time.
She’ll remember the small things a lot longer than the big ones.
But everything ends. And I’ll tell you why you have to make the small things, the small moments count so much more:
One day, probably a while longer from now, when old age takes ahold of someone, she might just only remember your smile. Everything you ever did together, every second, every moment, every beat, every morning spent in bed, every evening spent together on the sofa, all of that - gone. Everything you ever did will be reduced to the head of a pin. She won’t remember your name. She’ll just remember your smile, and she’ll smile. She won’t know why. It’s a base, gut reaction. But she’ll smile, uncontrollably, and it will come from somewhere so deep as to know that you touched her on a primal, honest, and true level that no scientist, scholar, or savant could ever begin to explain. There is no more. There is nothing else. There is just this: She’ll remember your smile, and she’ll smile.
And you know what? That’s all that really matters in the end.
Slowly starting to draw more.
I’ll stop reblogging this when it stops being funny.
A touch so simple, and yet laden with emotions I cannot feel.